Our journey into the realm of hot, messy women embroiled in murder mysteries continues with Tate Taylor’s adaptation of Paula Hawkins’ The Girl On The Train.

Much like The Woman in the Window, the film stars an A-list actress (here it’s Emily Blunt) doing great work in a lukewarm thriller.

Plus: female archetypes, too complicated plotting, our desire for a miniseries, and comparisons to male-centric “prestige” pictures like Oppenheimer

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